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24 sheet music found Schumann: Abendlied for French Horn & Piano
Schumann: Abendlied for French Horn & Piano # French Horn and Piano # EASY # Classical # Robert Schumann # James M # Schumann: Abendlied for French # jmsgu3 # SheetMusicPlus
French Horn in F & Piano -
Early Intermediate -
Composed by Robert Schumann.
Arranged by James M. Guthrie,
ASCAP. Romantic Period,
General Worship...(+)
French Horn in F & Piano -
Early Intermediate -
Composed by Robert Schumann.
Arranged by James M. Guthrie,
ASCAP. Romantic Period,
General Worship, Repertoire,
Anniversary, Recital. Score,
Set of Parts. 6 pages.
Published by jmsgu3 Op. 85/12 Horn: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
Schumann Background
Robert Schumann (1810 –1856) was a German composer and, moreover,a music critic. Music historians, as well as critics, generally agree that heis one of the greatest composers of the Romantic era. In the first place, Schumann was studying tobecome a lawyer. He quit law school, however, to pursue a career as a concert pianist. Be that as it may, he injured his hand andruined any chance of success as a virtuoso pianist. As a result, Schumann turnedhis musical attention to composing.
The Beginning of the End
In1848, Robert Schumann was in fact only 38 years old. Nevertheless, he wasalready weakening as a composer and conductor. His productivity, on thewhole, was slowing down. Furthermore, his conducting job at one of the world’soldest orchestras had come under great criticism.
Last Period
Schumannbecame inspired by the death of his friend Felix Mendelssohn theyear before. Similarly, he was stimulated by the Revolutions of 1848, andconsequently composed some of his most substantive works. It wasduring this last period of inspiration that he wrote his Scenes from Faust. Furthermore, he finishedthe Requiem for Mignon and the Introduction and Allegro for Piano & Orchestra. Next, he composed Scenes from the Forest forpiano. Finally, he composed the Twelve Four-hand Piano Worksfor Small & Large Children, Op. 85. This collection turns out, insummary, to be Schumann’s last great collection of piano literature.
Abendlied
Thefinal movement (Op.85/12) of this great collection on balance is entitled Abendlied or Evening Song. It is inessence a very effective recital encore especially following a more aggressiveor fast-paced piece. This is, in either case, a chance to develop long rubatophrases and demonstrate your musical sensitivity. This music, for the mostpart, sets a quiet, mysterious, and somewhat melancholy mood reminiscent ofevening-time just after sunset when the shadows become long and the sky beginsto darken. 10 Easy Romantic Pieces - for French Horn and Piano
10 Easy Romantic Pieces - for French Horn and Piano # French Horn and Piano # BEGINNER # Classical # Various # Francesco Leone # 10 Easy Romantic Pieces - for # Glissato Edizioni Musicali # SheetMusicPlus
By Various. By Anton
Rubinstein, Antonin Dvorak,
Johannes Brahms, Ludwig van
Beethoven, Modest Petrovich
Mussorgsky, Nicolo Paganini,
Peter Ilyich Tch...(+)
By Various. By Anton
Rubinstein, Antonin Dvorak,
Johannes Brahms, Ludwig van
Beethoven, Modest Petrovich
Mussorgsky, Nicolo Paganini,
Peter Ilyich Tchaikovsky, and
Robert Schumann. Arranged by
Francesco Leone.
Chamber,Classical,Romantic
Period. Score and part. 36
pages. Glissato Edizioni
Musicali #820356. Published by
Glissato Edizioni Musicali This is a collection of 10 easy pieces from the Romantic period that have been arranged for French Horn in F and Piano. This collection is particularly useful for students in their first courses, as it provides excellent material for both essays and concerts.
Easy keys and range for F Horn
Easy Piano accompaniment
Musical themes taken from the original compositions:
Largo from “New World Symphony” – A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F – A. Rubinstein
Soldier March – R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.
Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano # French Horn and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Fre # jmsgu3 # SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...(+)
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Traumerei by Schumann - French Horn and Piano (Full Score and Parts)
Traumerei by Schumann - French Horn and Piano (Full Score and Parts) # French Horn and Piano # INTERMEDIATE # Robert Schumann # César Madeira # Traumerei by Schumann - French # Sheet Music To Play Editions # SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1200206 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,R...(+)
French Horn,Piano - Level 3 - SKU: A0.1200206 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Children,Classical,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #799007. Published by Sheet Music To Play Editions (A0.1200206). Träumerei from Kinderszenen, Op.15 by Schumann. Arrangement for French Horn and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Sullivan: The Lost Chord for French Horn & Piano
Sullivan: The Lost Chord for French Horn & Piano # French Horn and Piano # INTERMEDIATE/ADVANCED # Sir Arthur Seymour Sullivan # James M # dynamic control # Sullivan: The Lost Chord for F # jmsgu3 # SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...(+)
French Horn,Piano - Level 4 - SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Feast of Love - French Horn/Piano
Feast of Love - French Horn/Piano # French Horn and Piano # EASY # Robert Franz # Phil Beaman # Feast of Love - French Horn/Pi # Phil Beaman # SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.844552 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score a...(+)
French Horn,Piano - Level 2 - SKU: A0.844552 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517867. Published by Phil Beaman (A0.844552). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges. Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato. This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score. Dichterliebe, Op.48 No.1 - French Horn and Piano (Full Score and Parts)
Dichterliebe, Op.48 No.1 - French Horn and Piano (Full Score and Parts) # French Horn and Piano # INTERMEDIATE # Robert Schumann # César Madeira # Dichterliebe, Op.48 No.1 - Fre # Sheet Music To Play Editions # SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1421268 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Roman...(+)
French Horn,Piano - Level 3 - SKU: A0.1421268 Composed by Robert Schumann. Arranged by César Madeira. 19th Century,Classical,Lent,Multicultural,Romantic Period,World. Score and part. 8 pages. Sheet Music To Play Editions #1002661. Published by Sheet Music To Play Editions (A0.1421268). Dichterliebe, Op.48 No.1 (Im wunderschönen Monat Mai) by Robert Schumann. Arrangement for French Horn and Piano. With Full Score and Individual Parts. Enjoy it!Robert Schumann (1810 – 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Dichterliebe
Dichterliebe # French Horn and Piano # ADVANCED # Classical # Robert Schumann # Layne Anspach # Dichterliebe # Songburd Music # SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...(+)
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register. COMPLETE Book of 10 Beautiful Horn Solos for Fun - various levels with FREE BACKING TRACKS
COMPLETE Book of 10 Beautiful Horn Solos for Fun - various levels with FREE BACKING TRACKS # French Horn and Piano # INTERMEDIATE/ADVANCED # Puccini, Saint-Saens, Rachmani # Austin Ralphson # COMPLETE Book of 10 Beautiful # Austin Ralphson # SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1178855 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by A...(+)
French Horn,Piano - Level 4 - SKU: A0.1178855 Composed by Puccini, Saint-Saens, Rachmaninoff, Schumann, Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Wedding. Score and part. 73 pages. Austin Ralphson #778824. Published by Austin Ralphson (A0.1178855). This is a book of beuatiful and popular solo pieces arranged with piano accompaniment (or optional free backing track); it comprises both volumes from the '5 Beautiful Solos for Fun' series, making a total of 10 solos in this set. The difficulty levels range from intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that the lyrical qualities of these melodies are emphasised by the solo instrument. Good control of the instrument and careful tuning will be needed throughout. A piano score is provided for each piece, as is a solo part as well. This is the full list:1. Nessun Dorma (Puccini)2. Vocalise (Rachmaninoff)3. The Swan (Saint-Saens)4. Gymnopédie No.1 (Satie)5. Träumerei (R. Schumann)6. The Girl With The Flaxen Hair (Debussy)7. Gnossienne No. 1 (Satie)8. Sonata No.8 Pathetique, 2nd movement (Beethoven)9. Clair De Lune (Debussy)10. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.